I’ve been on a few zoom chats where I’ve heard a quiver of fear from theatre makers scared of what the pandemic means for their work. This post is for you. What do the restrictions mean for thinking about your work differently? How can this unusual set of circumstances be turned into opportunities for exciting new projects and collaborations? How
I asked fifteen performance makers (and two sculptors) I admire to suggest one book about being this thing called an artist. I am taking their recommendation into my year of Leverhulme endorsed reading and thinking time. There are so many good books in the world that choosing one was tough for most people, so here’s a wonderfully long list for
The producer of Jabberwocky Market, Caroline Pearce has organised for DAR, Darlington Assistance for Refugees, to be at the end of every showing of Now Is The Time To Say Nothing, offering tea, cakes and a chat about how to help with local refugee support in the area. It is almost the perfect blueprint for how I wanted
IETM Munich 2018 The main provocation of this meeting was: Res Publica Europa. In IETM’s words: ‘IETM Munich will take a fresh look at the idea of Europe. Is it a cultural entity? A geographical one? What does the EU’s motto “United in Diversity” mean today, in the age of agendas driven by economics and eurosceptic tendencies? Is it a
Move to Bristol now feels complete with having joined the brilliant Pervasive Media Studios. I couldn’t have chosen a better home for exploring what I do, alongside some amazing artists.